Critical views of Jane Eyre and WSS
Posted by tware in Jane Eyre, Miss Curran, Ms Ware, tasks, Wide Sargasso SeaFollowing our lesson on critical perspectives and contexts of production and reception, you are going to read some reviews of Jane Eyre and Wide Sargasso Sea. Many of the reviews of Jane Eyre are contemporary (i.e. of the time that the text was written). The later reviews, including both that mention Wide Sargasso Sea, are more modern reviews.
You need to read the review you have been allocated below and then post a comment that covers:
- Whether the critic is broadly positive or negative about the novel (for the 1847/1848 reviews only)
- The critic’s view of the novel
- Which of the critical positions the critic seems to be writing from and why (give evidence)
- Whether or not you agree with the views and/or interpretation expressed by the critic and why
This is all due before the lesson on Monday 19th January
Text allocations as follows:
Critic [London] (Oct 1847) – Rochelle
Graham’s Magazine (May 1848) – Tasnia
Harbinger [New York] (April 1848) – Yasmin
Spectator [London] (1847) – Polina
Tait’s Edinburg Magazine (May 1848) – Erim
Quarterly Review 1848 – Nii Noi
North American Review 1848 – Lulu
Living Age 1848 – Sian
Fraser’s magazine 1847 – Jeanette
VictorianWeb article (modern perspective on contemporary critics) – Matt
Emag – A critical discussion – Christina
Is Jane Eyre a subversive novel – Ismail
JE and WSS – Other Voices – Miriam
JE and WSS – Some connections – Manita
The outrageous Ms Bronte – Shannen
You also all need to complete the following activity, reading each critical extract and then looking at the annotations and the critical position taken by the writer:


You need to use the link below to research key aspects of World War One. This will give you vital context for understanding the poetry of Wilfred Owen that we will be studying in the next couple of weeks.
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